Nominaciones IFMCA Awards 2017

Escrito por Eduardo Con, el 9 febrero 2018 | Publicado en Noticias

Como todos los años, la International Film Music Critics Association (IFMCA) ha hecho público sus nominaciones a sus premios anuales. En su 14 edición acaparan el mayor número de nominaciones los compositores Alexandre DesplatDaniel Pemberton con cuatro nominaciones, Michael Giacchino quien ha recibido cinco y John Williams con un total de seis.
La lista es la siguiente, extraída de la web original:

SCORE OF THE YEAR

• PHANTOM THREAD, music by Jonny Greenwood
• THE POST, music by John Williams
• THE SHAPE OF WATER, music by Alexandre Desplat
• STAR WARS: THE LAST JEDI, music by John Williams
• WAR FOR THE PLANET OF THE APES, music by Michael Giacchino

COMPOSER OF THE YEAR

• ALEXANDRE DESPLAT
• MICHAEL GIACCHINO
• DANIEL PEMBERTON
• BENJAMIN WALLFISCH
• JOHN WILLIAMS

BREAKTHROUGH COMPOSER OF THE YEAR

• MICHAEL ABELS
• ANNE-KATHRIN DERN
• GEORGE KALLIS
• ALEJANDRO VIVAS
• CHRISTOPHER WILLIS
BEST ORIGINAL SCORE FOR A DRAMA FILM

• ALL THE MONEY IN THE WORLD, music by Daniel Pemberton
• DARKEST HOUR, music by Dario Marianelli
• MURDER ON THE ORIENT EXPRESS, music by Patrick Doyle
• PHANTOM THREAD, music by Jonny Greenwood
• THE POST, music by John Williams
BEST ORIGINAL SCORE FOR A COMEDY FILM

THE DEATH OF STALIN, music by Christopher Willis
DOWNSIZING, music by Rolfe Kent
KNOCK, music by Cyrille Aufort
PADDINGTON 2, music by Dario Marianelli
THEIR FINEST, music by Rachel Portman
BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM

• A CURE FOR WELLNESS, music by Benjamin Wallfisch
• JUMANJI: WELCOME TO THE JUNGLE, music by Henry Jackman
• KING ARTHUR: LEGEND OF THE SWORD, music by Daniel Pemberton
• PLAN DE FUGA, music by Pascal Gaigne
• THE RENDEZVOUS, music by Austin Wintory
BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM

• GET OUT, music by Michael Abels
• THE SHAPE OF WATER, music by Alexandre Desplat
• STAR WARS: THE LAST JEDI, music by John Williams
• VALERIAN AND THE CITY OF A THOUSAND PLANETS, music by Alexandre Desplat
• WAR FOR THE PLANET OF THE APES, music by Michael Giacchino


BEST ORIGINAL SCORE FOR AN ANIMATED FILM

• CAPTAIN UNDERPANTS: THE FIRST EPIC MOVIE, music by Theodore Shapiro
• COCO, music by Michael Giacchino
• THE EMOJI MOVIE, music by Patrick Doyle
• FERDINAND, music by John Powell
• LOVING VINCENT, music by Clint Mansell
BEST ORIGINAL SCORE FOR A DOCUMENTARY

• BLUE PLANET II, music by Hans Zimmer, Jacob Shea, and David Fleming
• BOSTON, music by Jeff Beal
• EARTH: ONE AMAZING DAY, music by Alex Heffes
• JANE, music by Philip Glass
• MULLY, music by Benjamin Wallfisch
BEST ORIGINAL SCORE FOR TELEVISION

• ALIAS GRACE, music by Jeff Danna and Mychael Danna
• GAME OF THRONES, music by Ramin Djawadi
• ONNA JÔSHU NAOTORA, music by Yôko Kanno
• THE ORVILLE, music by Bruce Broughton, John Debney, Joel McNeely, and Andrew Cottee
• TIEMPOS DE GUERRA, music by Federico Jusid
BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA

• DEFORMERS, music by Austin Wintory
• DIVIDE, music by Chris Tilton
• GET EVEN, music by Olivier Deriviére
• RIME, music by David García Díaz
• VALKYRIA: AZURE REVOLUTION, music by Yasunori Mitsuda
BEST NEW RELEASE, RE-RELEASE OR RE-RECORDING OF AN EXISTING SCORE

• BEN-HUR, music by Miklós Rózsa; The City of Prague Philharmonic Orchestra & Chorus conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. De Wald; album art direction by James Fitzpatrick, Gareth Bevan, and Nic Finch (Tadlow)
• CLOSE ENCOUNTERS OF THE THIRD KIND, music by John Williams; album produced by Mike Matessino; liner notes by Mike Matessino; album art direction by Jim Titus (La-La Land)
• DAMNATION ALLEY, music by Jerry Goldsmith; album produced by Nick Redman and Mike Matessino; liner notes by Julie Kirgo; album art direction by Kay Marshall (Intrada)
• DUEL IN THE SUN, music by Dimitri Tiomkin; The City of Prague Philharmonic Orchestra & Chorus conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. De Wald; album art direction by Jim Titus (Tadlow/Prometheus)
• E.T. THE EXTRA-TERRESTRIAL, music by John Williams; album produced by Mike Matessino and Bruce Botnick; liner notes by Mike Matessino; album art direction by Jim Titus (La-La Land)
BEST FILM MUSIC COMPILATION ALBUM

• CAPTAINS COURAGEOUS: THE FRANZ WAXMAN COLLECTION, music by Franz Waxman; album produced by Douglass Fake; liner notes by Frank K. De Wald; album art direction by Kay Marshall and Joe Sikoryak (Intrada)
• DEBBIE WISEMAN: LIVE AT THE BARBICAN, music by Debbie Wiseman; The Orchestra of the Guildhall School conducted by Debbie Wiseman; album produced by Debbie Wiseman, Reynold Da Silva, David Stoner, and Pete Compton; liner notes by Debbie Wiseman; album art direction by Stuart Ford (Silva Screen)
• JOHN WILLIAMS AND STEVEN SPIELBERG: THE ULTIMATE COLLECTION, music by John Williams; album produced by Laura Zsaka and Jamie Richardson; liner notes by Jon Burlingame; album art direction by Amelia Tubb (Sony Classical)
• THRILLER, music by Jerry Goldsmith; The City of Prague Philharmonic Orchestra conducted by Nic Raine; album produced by James Fitzpatrick and Leigh Phillips; liner notes by Jon Burlingame; album art direction by Matthew Wright and Nic Finch (Tadlow)
• THE WILD WILD WEST, music by Various Composers; album produced by Jon Burlingame; liner notes by Jon Burlingame; album art direction by Jim Titus (La-La Land)

FILM MUSIC RECORD LABEL OF THE YEAR

• CALDERA RECORDS, Stephan Eicke
• INTRADA RECORDS, Douglass Fake and Roger Feigelson
• LA-LA LAND RECORDS, MV Gerhard and Matt Verboys
• QUARTET RECORDS, José M. Benitez
• TADLOW MUSIC, James Fitzpatrick

FILM MUSIC COMPOSITION OF THE YEAR

• “End Credits” from WAR FOR THE PLANET OF THE APES, music by Michael Giacchino
• “Finale” from STAR WARS: THE LAST JEDI, music by John Williams
• “Growing Up in Londinium” from KING ARTHUR: LEGEND OF THE SWORD, music by Daniel Pemberton
• “Justice” from MURDER ON THE ORIENT EXPRESS, music by Patrick Doyle
• “Love” from THE BOSS BABY, music by Hans Zimmer, Steve Mazzaro, and Conrad Pope

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Fecha: 9 febrero 2018. Más sobre Noticias
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